Criticism makes us the most vulnerable people in the world. It pulls us down to the earth and makes us question everything we have done so far. But does it matter if it’s a bad one? 

Of course not. 

Books for authors are their life’s work. Their ambition, and what they desired to achieve. They have pulled all-nighters to be where they are. Bruised their fingertips, and had so many cups of coffee just because they needed to check that deadline. So many things and fights they’ve been through just to be where they are. 

Is it logical or valid to have just one review ruin that all? 

Reviews are a lot like rejections — they come and go, and they often linger in your mind. Some may even haunt you. But what truly matters is how you choose to respond to them. It’s strange how we tend to weigh feedback unevenly: when someone leaves a positive comment, it feels validating — even though deep down, you already know your book is good. But when it’s a negative one, suddenly your confidence shakes. Why? Why let a single opinion outweigh your belief in your own work? You wrote it. You trusted it. You lived and loved every part of it. Don’t let someone else’s voice drown out your own.

Or simply use the ‘song quote’ by Camila Cabello “if you don’t like my story, you can write your own” Pass a smile, and continue with the rest of your work. 

There’s also a difference between working on bad reviews and acting on bad reviews. So first, you need to understand that:

Constructive Feedback Isn’t Always Negative

Not all comments and reviews are negative. Sometimes, in the rush of writing countless chapters and hitting high word counts, it’s easy to accidentally repeat yourself or create contradictions without realizing it. When a reader points something like that out, take it as a helpful gesture. Acknowledge their input, respond politely, thank them for noticing, and — if needed — make the correction after reviewing it carefully. And if you’re confident there’s no mistake, feel free to kindly clarify. Either way, treat it as a moment to connect, not confront.

Let’s say a reader leaves a harsh review — but their critique is actually logical and points out something valid. Because the book is our passion project, something we’ve poured our heart into, we might feel defensive and ignore what they said, even if it’s true. Instead of taking a moment to reflect, we may rush to justify ourselves or argue back — without even checking for that small mistake they highlighted.

But what we say online stays online. It’s important to handle situations like this thoughtfully and respond in a way that’s respectful and constructive for everyone involved.

When faced with negative reviews, don’t let them spiral into something bigger. Sometimes, choosing not to react is the best response. That said, patience has its limits. It won’t fix everything, and we need to accept that people think differently — we can’t control how they feel, but we can choose how we respond.

Remain Professional

No matter how a review is delivered — whether it’s thoughtful, harsh, or even rude — it’s important to remain professional in your response. As authors, your reputation isn’t built only on your writing, but also on how you handle feedback. Responding with grace, maturity, and respect reflects well on you and your work.

While it may be criticism, remember that these are still your readers — people who took the time to read, engage with, and even participate in your craft. Acknowledging their efforts, even when the feedback is tough, shows character and deepens the connection between you and your audience.

Regardless, let’s not forget that, at the end of the day, we are authors — true authors — and creators. That means we have every right to shape our world the way we want to. And if we constantly write only to please others or keep changing what’s written in our stories to match every expectation, what’s the point.

Don’t underestimate your book. And mostly yourself. What we write is what we feel, live and want to express. And no one should be given the privilege to change that.

Many of you may already know Billie Jo Priestley as the mind behind popular AlphaNovel hits like Luna Battle The Game, Your Dads Perfect, Stepbrothers Raven, and others. These stories haven’t just gained attention—they’ve earned thousands of fans and dedicated readers who can’t get enough of her intense characters, emotional twists, and gripping plots.

We decided to learn what stands behind the genius of our popular author!

In this Q&A, she opens up about how writing became both an outlet and a lifeline, what her day-to-day looks like as a full-time author and parent, and the journey that led her to connect more deeply with readers through AlphaNovel.

How did your writing journey start?

My writing journey began when I was just a child, thanks to a nationwide poetry competition run by Waterstones. Every school across the UK took part, and to my complete shock, I won. After that, poetry became my secret outlet, though life eventually swept me up in the chaos of family and growing up. Writing stories was always my escape, the place I could pour out whatever I couldn’t say out loud. But somewhere along the way, I stopped writing altogether, and honestly, it took a toll on me. In 2017, I finally dusted off my old notebooks and decided to pick it all back up. That year became the turning point, I began writing again, and even pushed myself to share the stories with others. I then realised, I put a lot of myself into the stories, and reflected my life in my characters. I haven’t looked back since.

Can you tell us a bit about yourself outside of writing? What does a typical day look like for you?

I’m a full-time writer, but my day always starts with family. I’m up at six am to get my kids ready for school, then I do a quick clean before diving into work. Most of my writing happens between 8am and 3pm, when the house is quiet with an insane amount of tea! Afternoons are for homework help, dinner, and catching up with my partner and kids. Once everyone’s in bed, I usually squeeze in another hour of writing or answering messages from readers. It’s busy, a bit chaotic, but it works, and I’ve learned to write in the middle of it all

Outside of that, I’m a massive music lover. My playlists are all over the place which many people complain over. Johnny Cash one minute, Eminem the next, with some Youngblud and Nine Inch Nails thrown in for good measure. I also love trying new things, whether it’s painting, knitting, cross-stitching, cover designing. I’m not great at many of them, but I always have fun trying.

What’s something your readers might be surprised to learn about you?

Growing up, I wasn’t surrounded by books. I didn’t have shelves full of stories or parents who read to me at night. The only books I came across were the ones handed out in school and even then, I rarely was able to finish them or enjoy them. It wasn’t until I was nineteen that I started reading full books on my own and finally discovered how powerful stories could be. So I didn’t grow up as a bookworm, but once I found that love for reading, it never left me.

What book (or author) made you fall in love with storytelling?

Lora Leigh’s Elite Ops series was the first set of books I ever truly connected with. It was the first time I found myself completely lost in a story and loving every minute of it. That series opened the door for me, helping me discover the kind of books that spoke to me and showed me just how powerful storytelling could be.

When you’re starting a new book, what comes first: the plot, the characters, or a single scene?

Usually, it starts with a single scene or a spark of plot. I can be deep into another story when suddenly my brain shifts gears and throws a completely new idea at me. Once that happens, I have to start writing it, even just a little because if I don’t it takes over my thoughts completely. That’s how I end up working on more than one book at a time. If I don’t get the new story out of my head, I can’t focus on anything else.

How do you approach writing consistently, especially when juggling life outside of your author career?

Honestly, it’s a lot easier now that all my kids are in high school, before then everything was hectic. Now, they leave the house at seven, and I practically sprint to my laptop like it’s the last slice of cake. I try to stay ahead by writing extra chapters in advance, especially since one of my kids has unpredictable hospital visits. It’s like playing a game of “Guess When Life Will Interrupt Me Next.” I’m the same if there is holidays coming up, or birthdays and such. I prep for it, I stockpile chapters ready to release if anything happens that stops me from writing.

What’s the best piece of writing advice you’ve ever received—or one you’ve discovered for yourself?

The best advice I ever got was actually something I was already doing without realising it. I’ve always had at least two stories on the go, and I used to think I was a bit mad for juggling them. But when I mentioned it to another author and mentioned stopping and sticking to one story, they told me, “It’s smart to write more than one. Writers get blocked because they force their minds to stick to one story. Switching between projects gives your creativity space to breathe.” That really stuck with me as I was about to switch to writing one story at a time. It made me realise I wasn’t weird, I was just giving my brain room to play.

How has your experience on AlphaNovel shaped or changed your writing process?

AlphaNovel was one of the first platforms where I truly had active readers, yes I’d published before, but the only feedback I ever got was an occasional end-of-book review and that’s if I was lucky. On AlphaNovel, getting comments as readers move through each chapter has changed everything. I can actually see how people are reacting in real time. If a chapter’s meant to be emotional and no one’s crying, I know I’ve missed the mark. That kind of instant feedback helps me adjust, grow, and connect with readers in a much more personal way

What would you say to an author who feels stuck or discouraged about their story’s performance or progress?

Don’t give up. I started writing in 2017, and it wasn’t until 2024 that I was finally able to write like it was a full time job and live off my income. Writing isn’t something that takes off overnight, it’s a slow build. Focus on connecting with your readers, especially through social media, because they often reach out with questions or support, and those connections matter more than you think. If you’re feeling stuck on a book, start something new for a while. Step away from the story that’s giving you trouble, then come back to it after a week or two and read it like a reader, not the author. Take notes, notice what feels off. Sometimes we get discouraged because we’re too close to the story, and all it takes is a little space and a fresh perspective to find the spark again.

Billie Jo is proof that resilience, real-life experience, and the courage to restart can lead to powerful storytelling. Her journey is a reminder that every story matters — and that sometimes, the stories we write help us heal just as much as they entertain others.

Looking for the perfect setting to match your steamy romance or pulse-pounding drama? Summer is the season of transformation, temptation, and tension—a goldmine for authors looking to spark fresh inspiration. Whether you’re penning a slow-burn romance or a fast-paced thriller, here are some vibrant summer settings that can bring your story to life.

Seaside Small Town

Imagine a quiet beach town where everyone knows each other—and where secrets are hard to hide. This kind of setting is perfect for stories about healing, new beginnings, and romantic surprises. Picture walks on the boardwalk, beach bonfires at night, and first kisses during the fireworks.

Luxury Island Resort

Hot weather, beautiful views, and a touch of mystery. An exclusive island resort can be full of drama and romance. You can write about secret love between guests and staff, or unexpected events during a luxury vacation. The peaceful setting makes the tension in the story stand out even more.

Road Trip Across the Country

Few things feel more free than a road trip. Put two different characters in a car and let them travel together. Use stops at small towns, strange motels, and deep conversations by the roadside to grow their relationship. Each stop adds something new to their story.

Summer Camp Revisited

Summer camp isn’t just for kids. Maybe your characters were camp counselors with a shared past, or they return for a reunion and face old emotions. Think about wooden cabins, late-night swims, and memories that aren’t as happy as they seem. It’s a great setting for drama and romance!

Festival Season

Big festivals full of music, food, or tradition can be great for storytelling. These fun, crowded events are perfect for surprise meetings, fast love stories, or characters learning something new about themselves. Neon lights, loud music, and dancing under the stars make everything more exciting!

Tips for Writing Summer Settings:

• Use sensory details: the smell of sunscreen, the sound of cicadas, the sticky-sweet taste of melting popsicles.
• Let the heat influence mood and behavior. High temperatures can heighten tempers—and passions.
• Contrast light, carefree days with underlying emotional complexity to add depth.

Summer is more than a season—it’s a mood. Make your setting sizzle and your story will too.

Ready to bring your summer romance or drama to life? Head to the Writer’s Portal and start your next chapter today.

In case you have any questions, you can contact us at [email protected]

Hello dear Authors, my name is Reliance. As an editor on Alphanovel, I’ve seen firsthand the incredible stories writers bring to life. Whether you’re a first-time writer or a seasoned storyteller, there’s always room to grow. Let’s talk about a few key ways you can sharpen your craft and keep your readers hooked.

1. Start with a Bang

The first few lines of your story are everything. They’re what draw your readers in—or lose them. Try opening with a scene that sparks questions or a moment that sets the tone right away.

Example:

“Lena’s hand shook as she read the letter. The words were simple, but the final line stole her breath: ‘I know your secret.’”

A hook like this pulls the reader in immediately.

2. Show, Don’t Just Tell

We’ve all heard this advice, but it’s so important. Instead of spelling out that someone’s scared or angry, paint a picture.

Example:

“Sweat trickled down her spine as she fumbled with the lock, footsteps echoing closer.”

You feel her panic without ever having to say “She was scared.”

3. Characters That Feel Real

Characters are the heart of your story. Give them layers—dreams, fears, flaws. Let them stumble and grow.

Example:

“Leo hated how his voice cracked when he was nervous. But tonight, he had to prove he wasn’t just the class clown. He cleared his throat and stepped up to the mic.”

We instantly see his vulnerability and his determination to be seen for who he really is.

4. Mind Your Pacing

Good stories have a rhythm. Mix up slower, more introspective moments with bursts of action or tension to keep things fresh.

Example:

A quiet moment: “Mila traced the names carved into the old tree, memories flooding back.”

An intense moment: “Sirens screamed behind her as she sprinted across the rooftop, breath ragged.”

5. Let Dialogue Breathe

Dialogue should sound like real people talking, not stiff or overly formal. Let your characters’ personalities come through in what they say—and what they don’t.

Example:

“You okay?” he asked.

“Yeah,” she said, twisting the hem of her shirt.

What she’s saying doesn’t quite match how she’s acting—there’s so much more happening beneath the surface.

6. Edit Without Mercy

Your first draft is just that—a draft. Don’t be afraid to cut scenes that don’t move the story forward or rework sentences that don’t flow.

Example:

First draft: “He walked in and saw her sitting there. She looked up, and he noticed how sad she looked.”

Revised: “He stepped inside. She looked up, her eyes rimmed red with tears.”

Cleaner, tighter, and more powerful.

7. Get Feedback

Even the best writers need fresh eyes on their work. Sharing your story with trusted friends or editors can highlight things you might have missed—and make your story that much stronger.

Example:

“I thought my pacing was fine until my editor pointed out that the middle chapters dragged. Cutting some scenes made the ending so much more impactful.”

Writing isn’t about getting it perfect the first time—it’s about finding your voice and sharing your story. Don’t be afraid to take risks, dig deep, and keep refining. You never know which story might resonate most with your readers.

If you’re ready to share your story, Alphanovel is the perfect place to start. Submit your work and let your voice be heard—we’re always excited to see what new worlds and characters you bring to life.

Happy writing!

The post was written by our esteemed editor, Reliance Okpara.

In case you have any questions, you can contact us at [email protected]

If you’re writing a webnovel, your story is important — but so is your “book blurb”. The blurb is the short description readers see before they decide whether to read your novel. It’s like a movie trailer in words. If the blurb is boring, confusing, or unclear, readers might skip your story — no matter how good it is.

Start by hooking readers right from the first line — grab their attention and make them want more. Then, introduce your main characters and their goals to give readers a quick sense of who the story is about. Be sure to highlight the central conflict or problem, but avoid spoilers — the blurb should tease the storyline, not reveal it. Keep your writing concise, emotionally engaging, and aligned with the genre’s tone to make the strongest impact.

1. Grab Attention

The first sentence is the most significant. It should attract the reader’s attention right away.  How to accomplish it: 

• Always start with an intriguing question. 

• Start with a surprising line. 

• Explain the core problem or conflict.  

Like this: 

“She was supposed to die… but she woke up in another world.” 

“What if you were the villain in your own story?”  

The idea here is to pique readers’ interest or make them curious and make them want to read on.

2. Introduce the Main Characters and their Goals

Tell readers who the main character is and what they want. Keep it short, but make the reader care for them.

1. Use the character’s name.

Mention one or two things that make them interesting (like a secret, power, or flaw) but do not start about character description like how tall they are, their appearance, etc.

2. Explain what they want or are trying to do.

Example: “Mea is a shy librarian by day, but at night, she hunts magical creatures that no one else can see.” 

3. Show the Conflict or Problem  

Every good story has a problem. Your blurb should hint at the main challenge or danger your character will face.

Example: “But when an ancient demon awakens in her town, Mea must choose: run away or face her deepest fears.” 

4. Add a Tease, Not a Spoiler!

Don’t give away the whole story! Leave readers with a reason to click “Read More”. Hint at mystery, romance, danger, or twists.

Try ending with a question, it works most of the time.

Or maybe a dramatic statement. Also, you could use a mystery line, something unknown.

Examples:  

“Will she survive long enough to learn the truth?” 

“Nothing is what it seems in the world of shadows.” 

5. Keep It Short and Sweet  

Your blurb should be around 100–150 words. Generally long blurbs can scare away readers. As a reader, I think every sentence should have a purpose.

6. Use Simple, Emotional Language  

Don’t try to sound too fancy. Please, use clear words that stir emotion — fear, excitement, curiosity, love, etc. Complicated words are not appealing when choosing a book to read.

Boring: “The protagonist embarks on a complex journey through various events.” 

Better: “With monsters chasing her and no one to trust, Aria must find the truth — or die trying.” 

7. Match the Genre Tone  

If your story is a romance, make the blurb romantic. If it’s horror, create tension. The tone should reflect the story’s mood.

Examples:  

• Romance: “Two enemies. One stormy night. Can love survive the war between them?” 
• Fantasy: “In a land of dragons and gods, one girl holds the power to save or destroy everything.” 
• Thriller: “He has 24 hours to find the killer. The clock is ticking.” 

The post was written by our esteemed editor, Tisha D.

In case you have any questions about contract approval, you can contact us at [email protected]

Editor’s Choice isn’t about luck — it’s about a combination of quality, consistency, and how you present yourself as an author. If you’ve been wondering why your story hasn’t made the cut yet, here are a few things you might want to take a closer look at.

1. Are you showing up as an author?

It’s not just about the book — it’s also about you.

Editors notice the authors who stay active on the platform. That means consistent updates, finishing books, requesting support when needed, and responding to readers. If your only appearance is when you ask for a contract or send a random message, you might be flying under the radar.

Authors who get featured usually have a strong presence. They’re building a relationship with both the platform and their audience — and that matters.

Don’t know where to start? Go to our Facebook Authors Community.

2. Does your book make a good first impression?

Before anyone reads your story, they see the title, cover, and blurb. That first impression matters more than you might think.

If your cover is low-resolution or off-genre, your title is confusing, or your blurb gives away too much (or too little), you’re making it harder for your story to stand out. Editors and readers alike gravitate toward stories that look polished and genre-appropriate.

Think of your book’s packaging as the handshake before the conversation — it needs to be confident and clear.

3. Is your story original and authentically yours?

Editors can quickly recognize when a story lacks originality or feels pieced together from common tropes without anything fresh added in. While using popular themes is fine (and often encouraged), there should be something about your plot, characters, or voice that sets it apart.

Also, AI-generated or copied content is a definite no-go. Editors are trained to catch it, and it disqualifies a book from Editor’s Choice outright.

Tell your story your way. That authenticity matters.

4. Are the early chapters doing enough?

Editors usually read the first 5 to 10 chapters to make a decision. If the hook isn’t strong, the pacing is off, or the formatting is distracting, it becomes difficult to push the book forward.

You don’t need perfection, but you do need clarity, momentum, and solid storytelling in those early chapters. Your plot should start moving early, the main characters should appear soon, and the tone should reflect your genre and audience.

Basically, those chapters need to prove that the rest of the book is worth the read.

Want to boost your chances even more? Treat your story like it matters — because it does. Editors want to promote stories that show promise and effort. You’ve got the tools — just make sure you’re using them right.